| Acanthus
|
A leaf motif used in carved and inlaid
decoration. |
| Apron
|
The shaped skirt of wood
that runs beneath the
legs of a table or feet of a chest. |
| Armoire
|
The
Continental term for a large tall cupboard originally used for
storing armour. |
| Astragal
|
A small semi-circular moulding in architecture
and in furniture, a term often applied to the glazing bars of
cabinets and bookcases. Astragals are sometimes in brass. |
| Anthemion
|
Floral motif resembling honeysuckle. |
| Bachelor's Chest
|
Chest of drawers with slide or hinged top
supported on lopers when opened. |
| Backboard
|
The unpolished back of wall furniture. |
| Balloon-back Chair |
A chair with a rounded back, the best-known
type of Victorian dining or salon chair. |
| Baluster
|
The shaped turning, or slender pillar with a
bulbous base, used on the legs and pedestals of tables. |
| Banding
|
Decorative veneer used around the edges of
tables and drawers. |
| Barley Twist |
The spiral shape much favoured for turned legs
of the second half of the 17th C. |
| Bergère
|
The term for a French armchair,
applied in England to chairs with caned backs and sides. |
| Bevel
|
The decorative angled edge of a mirror. |
| Bird-cage support
|
The mechanism, located at the top of the pedestal, that enables some
18th C tripod tables to swivel. |
| Blind fret carving
|
A solid background with fretwork carving in front. |
| Bobbin |
A type
of turning fund on the legs of 17th C furniture. |
| Bombé |
The double-curved or swollen shape found in commodes and bureaux in
Continental Europe and occasionally in 18th C English Furniture. |
| Bonheur-du-jour
|
A small ladies writing table of the late 18th
C. |
| Boulle
or buhl
work
|
A form of marquetry work using brass and
tortoiseshell, developed in the 18th C. |
| Bow Front
|
The outward curved front found on chests of
drawers from the late 18th C. |
| Boxwood |
Close grained hardwood from Europe used for banding,
inlay and marquetry. |
| Bracket Foot
|
A squared foot, the most commonly found foot
on 18th C cabinet furniture. |
| Breakfront |
The term for a piece of furniture with a
protruding central section. |
| Broken pediment |
A symmetric break in the centre of a pediment,
often in filled with an urn or eagle motif. |
| Brushing
Slide |
The
pull-out slide found above the top drawer of some small 18th C
chests. |
| Bun
Foot
|
A flattened version of the ball foot, often found on case furniture
of the second half of the 17th C. |
| Bureau
|
A writing desk with a fall front that encloses a fitted interior,
with drawers below. |
| Bureau Bookcase |
A bureau with a bookcase above. |
| Burr
(or burl in the USA) |
The tightly knotted grain from the base of a
tree, used to decorative effect in veneers. |
| Cabriole Leg
|
A gently curving S-shaped leg found on tables and chairs of the late
17th C and 18th C. |
| Campaign
Furniture |
Portable furniture used when
travelling in the 19th and 19th C. |
| Candle Slide |
Small
retractable wooden support for a
candlestick on the front of cased furniture. |
| Canted corner |
A decorative angled corner, found in case furniture of the 18th C. |
| Canterbury
|
A container for sheet music, from the 19th C. |
| Carcass
|
The main body of a piece of furniture. |
| "Carved up"
|
A term describing furniture that has been carved, at a later date
than its construction, usually in the
Victorian period. |
| Carver or Elbow Chair |
A dining or salon chair with open arms. |
| Case Furniture
|
Items intended primarily as receptacles - for example, chests
or drawers. |
| Casters |
Small
pivoted wheels, usually in brass,
attached to the ends of some legs or feet. |
| Cellaret
|
18th C term for wine coolers and containers, and for the drawer in
some sideboards designed for storing wine. |
| Chaise Longue |
An elongated 18th C, upholstered chair or
daybed, popular in England during the Regency period. |
| Chamfer
|
An angled corner. |
| Chesterfield
|
A late 19th C deep-buttoned upholstered settee with no wood showing. |
| Chest on Stand |
A two-part tall chest of drawers, popularly
known as a tallboy or highboy. |
| Cheval
Mirror |
A
tall dressing mirror supported by two uprights. |
| Chiffonier
|
A side cabinet with or without a drawer and
with one or more shelves above. |
| Chinoiserie
|
Oriental-style decoration, on lacquered or
painted furniture. |
| Claw-and-ball foot
|
A foot modelled as a ball gripped by a claw, used with a cabriole
leg. |
| Cleated ends |
On long tables, the end sections applied to
narrow boards with the grain running in the opposite direction to
prevent warping. |
| Cockbeading
|
A bead moulding applied to the edges of drawers. |
| Coffer
|
A joined and panelled low chest, usually of
oak, with a lid. |
| Commode
|
A highly decorated chest of drawers or
cabinet, often of bombé shape,
with applied mounts. |
| Composition or compo |
A putty-like material that can be moulded,
applied to mirrors and fire surrounds and gilded or painted. |
| Console or pier table
|
A table intended to stand against a wall
between windows. It usually has a matching mirror above it. |
| Conversation Chair
|
A Victorian chair with 2 seats sharing a
central armrest but facing in opposite directions. Also known as a
reading chair. |
| Corbel
|
A projecting moulding at the top of a tall
cabinet furniture. |
| Corner Chair |
A chair with back splats on two sides and a
bowed top rail intended for the corner of a room. |
| Cornice
|
The projecting moulding at the top of tall
furniture. |
| Coromandel
|
Type of wood from the Coromandel coast of
India used for banding and inlay, popular during the Regency period. |
| Counter-well or guinea-well |
The small dished oval found in
early Georgian card tables. |
| Country/Provincial
furniture |
The functional furniture
made away from the major cities and main centres of production. |
| Credence Table
|
Late 17th C oak or walnut half-round table
with a folding top. |
| Credenza
|
A long side cabinet with glazed or blind
(solid) doors, associated with the Victorian period. |
| Cricket Table |
Small three-legged table, which could be used on uneven floors such
as in taverns. |
| Crinoline Stretcher
|
A crescent shaped stretcher that unites the legs of some Windsor
chairs. |
| Cross Banding |
A veneered edge to table tops and drawer fronts, at right angles to
the main veneer. |
| Cup and cover
|
A bulbous turning with a differentiated top,
common on legs until the late 17th C. |
| Davenport
|
A compact writing desk with a sloped top above
a case of drawers. |
| Dentils
|
Small rectangular blocks applied at regular
intervals to the cornices of much 18th C furniture. |
| Dished table top |
A hollowed-out solid top, associated with
tripod tables with pie-crust edges. |
| Distressed
|
A term for a piece that has been artificially
aged. |
| Dovetails
|
A series of interlocking joints, used in drawers. |
| Dowel
|
see Pegged furniture |
| Drop-in seat |
An upholstered seat frame that sits in the
main framework of a chair. |
| Drop Handle |
Pear-shaped handle popular during the late
17th C/early 18th C. |
| Drop-leaf |
Any table with a fixed central section and
hinged flaps. |
| Drum Table |
A circular writing table supported by a
central pedestal with frieze drawers. |
| Dummy Drawer |
A decorative false drawer, complete with
handle. |
| Ebonized
|
Wood stained and polished black to simulate
ebony. |
| End Support |
A central support at the sides of a writing or
sofa table. |
| Escritoire
|
A cabinet with a hinged front, which provides
a writing surface, and a fitted interior. |
| Escutcheon
|
Brass plate surrounding and protecting the
edges of a keyhole - sometimes with a cap or cover on a pivot. |
| Fall Front
|
The flap of a bureau or secretaire that pulls
forward to provide a writing surface. |
| Fauteuil
|
An upholstered armchair. |
| Feather or Herringbone
banding |
Two narrow bands of veneer
laid in opposite diagonals. |
| Fielded panel |
A raised panel with a bevelled or chamfered
edge that fits into a framework. |
| Figuring |
The natural grain of wood seen in veneers. |
| Finial
|
A decorative turned knob applied to the top of
fine bureau bookcases and the like. |
| Flamed Veneer
|
A veneer cut at an angle to enhance the
figuring. |
| Fluting
|
Decorative concave, parallel grooves running
down the legs of tables and chairs. |
| Foliate carving |
Carved flower and leaf motifs. |
| Fretwork
|
Fine pierced decoration. |
| Frieze
|
The framework immediately below a table top. |
| Gadroon
|
A decorative border, carved or moulded,
comprising a series of short flutes or reeds. |
| Gainsborough Chair |
A deep armchair with an upholstered seat and
back, padded open arms and usually carved decoration. |
| Galleried Table |
A table with a wood or metal corner around the top edge. |
| Gateleg
|
A leg that pivots to support a drop leaf on a table. |
| Gesso
|
A plaster-like substance applied to carved furniture before gilding:
also used as a substitute for carving when moulded and applied. |
| Gilt-tooled decoration |
Impressed gold leaf on the edges of leather desk tops. |
| Girandole
|
A candle holder or sconce with a mirrored back, designed to hang on
a a wall. |
| Greek Key
|
A fretwork design based on ancient Greek decoration. |
| Guilloche
|
Decorative motif of interlacing circles forming a continuous
figure-of-eight pattern. |
| Hairy-paw foot
|
A paw foot, carved to give a furred appearance, first seen in the
18th C. |
| Harlequin
|
A term used to describe a set of chairs that are similar but do not
match. |
| Herringbone Banding |
See Feather Banding. |
| Husk
|
A decorative motif of formalized leaves. |
| Improved
|
An item that has been altered or added to at a later date to improve
its style. |
| Inlay
|
Brass, Mother-of-Pearl or veneer set into the surface of solid or
veneered furniture for decorative effect. |
| Intaglio
|
An incised design, as opposed to a design in relief. |
| Japanned
|
An item painted and varnished in imitation of Oriental lacquer work,
popular in the early 18th C. |
| Joined
|
Method of furniture construction using mortice and tenon joints
secured by pegs or dowels without glue. Became widespread in the
15th C until the end of the 17th C. |
| Joined Stool |
A stool, usually in oak, of joined construction. |
| Kneehole Desk |
A desk with a recessed central cupboard below the frieze drawer. |
| Lacquer
|
A gum-like substance, coloured and used as a ground for chinoiserie
and gilding. |
| Ladder-back |
A chair with a series of horizontal back-rails. |
| Lappet
|
A carved flap at the top of a leg with a pad foot. |
| Lion's paw foot |
A foot carved as a lion's paw, popular in the 18th C and the Regency
period; also found as brass castors during the early 19th C. |
| Loo Table |
A large Victorian card or games table, usually circular. |
| Loper
|
A pull-out arm used to support the hinged fall of a bureau. |
| Lowboy
|
A small side table on cabriole legs, from the first half of the 18th
C. |
| Marquetry
|
A highly decorative form of inlay using veneers. |
| Married
|
The term used for an item that has been made up from two or more
pieces of furniture, usually of the same period. |
| Mortice
|
See Pegged furniture. |
| Moulding
|
A shaped piece of wood applied to a piece of furniture, comprising a
long strip or a small decorative motif. |
| Mule Chest |
A coffer with a single row of drawers in the
base. |
| Nest of tables |
A set of three or four occasional tables that slot into each other
when not in use. |
| Ogee
|
A double curve of slender S-shape. |
| Ormolu
|
A mount or article that is gilded or gold-coloured. |
| Overmantle Mirror |
A mirror designed to hang over a mantlepiece. |
| Ovolo
|
A moulding comprising a quarter-segment of a sphere. |
| Oyster Veneer
|
A veneer formed by cutting branches of trees, such as laburnum, at
right angles to the grain, producing small circles. |
| Pad or Club Feet |
A rounded foot that sits on a circular base, used in conjunction
with cabriole legs. |
| Padouk
|
Hard, heavy wood varying in colour from brown to crimson with dark
figuring. |
| Papier Mâché |
Pulped paper that is moulded or lacquered to make trays and small
pieces of furniture. |
| Parcel Gilding |
Partial gilding. |
| Parquetry
|
A geometrical pattern made up of small pieces of veneer, sometimes of
different woods. |
| Patera
|
A small circular ornament made of wood, metal or composition. |
| Patina
|
The build-up of wax and dirt that gives old furniture a soft mellow
look. |
| Pedestal desk |
A flat desk, usually with a leathered top, that stands on two banks
of drawers. |
| Pediment
|
The gabled structure that surmounts a cornice. |
| Pegged furniture |
Early joined furniture constructed by a system of mortices (slots)
and tenons (tongues), held together by dowels (pegs). |
| Pembroke Table |
A small two flap table that stand on four legs or a pedestal. |
| Pie-crust top |
The carved decorative edge of a dished-top tripod table. |
| Pier Glass |
A tall, narrow mirror intended to hang against
a pillar between the windows of a drawing room. |
| Pietra Dura |
A composition of semi-precious stones applied to the panels of
furniture. |
| Pilaster
|
Flattened column used in furniture, usually with a moulding at the
top. |
| Platform base
|
Three or four cornered flat bases of tables
supporting a central pedestal above a standing on scrolled or paw
feet. |
| Plinth base |
A solid base, not raised on feet. |
| Pole-screen
|
An adjustable fire screen. |
| Potboard
|
The bottom shelf of a dresser or court cupboard, often just above
the floor. |
| Provincial Furniture
|
See Country Furniture. |
| Quartered Top |
A flat surface covered with four pieces of matched veneer. |
| Quartetto tables |
A nest of four tables. |
| Reeding
|
Parallel strips of convex flutes found on the
legs of chairs and tables. |
| Re-entrant corner
|
A shaped indentation at each corner of a table. |
| Rule Joint
|
A type of hinge contrived in such a way that, when open, no
separation shows between the two joined parts - a sign of quality in
18th C furniture. |
| Runners
|
The strips of wood on which drawers slide. |
| Sabre legs |
A curved chair leg in the shape of a sabre,
strongly associated with the Regency period. |
| Scagliola
|
A composite material that resembles marble. |
| Scalloped or butterfly-wing
leaf |
The serpentine flap of some
Pembroke tables. |
| Sconce
|
A cup-shaped candle holder. |
| Seat rail
|
The horizontal framework immediately below the chair seat that
unites the tops of chair legs. |
| Secretaire
|
A writing cabinet with a mock drawer front that legs down to provide
a writing surface, revealing recessed pigeon holes. |
| Secretaire Bookcase
|
A secretaire with a bookcase fitted above. |
| Serpentine
|
Undulating front for a case piece - convex in the centre and
concave at the ends. Used for cabinets, chests, sideboards and so
on, in the second half of the 18th C. |
| Settle
|
The earliest form of chair to seat two or more people. |
| Sheraton Revival
|
Furniture produced in the style of Sheraton during the late
Victorian and Edwardian period. |
| Shoe
Piece |
Projecting piece rising from the back rail of a chair seat
into which the base of the splat is fixed. |
| Side chair |
A chair without arms, designed to stand against a wall. |
| Side table |
Any table designed to stand against a wall. |
| Silhouette leg |
A two-dimensional leg shaped from a flat piece of timber. |
| Sofa table |
A rectangular table with two hinged flaps at the ends designed
to stand behind a sofa. |
| Spade foot |
A tapering foot of square section. |
| Spandrel
|
A decorative corner bracket, usually pierced and found at the tops
of legs. |
| Splat
|
The central upright in a chair back; loosely applied to all members
in a chair back. |
| Squab
|
The loose flat cushion on the seat of a chair often protecting caned
seats. |
| Stiff-leaf toe cap |
A caster moulded with formalized leaves. |
| Stiles
|
The vertical parts of a framework, a term usually associated with
early furniture. |
| Stretchers
|
The horizontal bars that unite and strengthen the legs of chairs and
other furniture. |
| Stringing
|
Fine inlaid lines around a piece of furniture usually in boxwood,
satinwood or ebony. |
| Stuff-over seat |
A chair that is upholstered over the seat rails. |
| Swan-neck cresting |
A type of broken pediment with two S-shaped curves. |
| Swan-neck handle |
A curved handle, popular in the 18th C. |
| Tallboy
|
American term for a chest-on-chest. |
| Tambour
|
Flexible shutter on a roll-top desk or sliding doors for cupboards. |
| Teapoy
|
A small piece of furniture designed for holding tea leaves. |
| Tenons
|
See Pegged furniture. |
| Thumb moulding
|
Decorative convex moulding. |
| Toilet Mirror |
Another term for a small dressing mirror with
a box base, usually fitted with two or three drawers. |
| Tester
|
Wooden canopy over bedstead supported on either 2 or 3 posts. A full
tester extends fully over the bed and a half tester extends only
over the bedhead. |
| Trefoil
|
Shaped like a clover, with three lobes. |
| Tripod table
|
A small table with a round top supported by a three-legged pillar. |
| Turned
|
A solid member modelled by turning on a lathe. |
| Uprights
|
The vertical sides of the back of a chair. |
| Urn table |
A small 18th C table designed to hold a silver kettle or water urn. |
| Veneer
|
A thin slice of timber cut from the solid, either hand cut or
machine cut from mid 19th c. |
| Vitrine
|
French glazed display cabinet, often of bombé
or serpentine form, ornately decorated with marquetry and ormolu. |
| Wainscot Chair
|
An early joined chair with a panelled back,
open arms and a wooden seat. |
| Whatnot
|
A mobile stand with open shelves. |
| Wheel-back chair |
A chair with a circular back with
radiating spokes, associated with the late 18th C. |
| William IV |
A transitional
period (1830 to 1837) that lies between the Regency and Victorian
eras. A term often used to describe furniture that incorporates
features which are typical of both the earlier Regency and later
Victorian styles. |
| Windsor chair |
A type of wooden chair with a spindle back. |
| Wing chair |
A fully upholstered chair with "wings" at the sides to keep draughts
out. |